BSW RE20 Podcast Package
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BSW RE20 Podcast Package


Podcast Package - EV RE20 Microphone

BSW PART: BSW-PODCAST-RE20

BSW RE20 Podcast Package
Starting a podcast? BSW has created the ideal podcast package solution to get your voice heard in no time. BSW knows Podcast.

BSW Podcast RE20 Package Includes:

• Electrovoice RE20 Dynamic Microphone
• Presonus Studio 26 - 2x4 Audio Interface: Includes STUDIO ONE Artist DAW and Studio Magic Plug-In Suite
• Gator GFW-MIC-0601 Black Desktop Microphone Stand
• 20FT Signature BSW Broadcast Microphone Cable
• Audio Technica ATHM20X Headphones
• BSW REPOP - Pop Filter








Getting Started with Studio one? Check here on how to install and set up a recording session. Click here for more Studio One Videos!


Great for podcasters, live streaming, and mobile musicians, the Studio 26 2x4 USB 2.0 bus-powered audio/MIDI interface can record at up to 192 kHz and features 2 front-panel combo mic and switchable line/instrument inputs with PreSonus XMAX-L solid-state mic preamps and MIDI I/O. In addition to the L/R main outputs, you get two balanced line outputs for monitor mixing or speaker switching. A Cue Mix A/B function lets you toggle between two mixes while monitoring through headphones—perfect for DJs and to listen in on a performer’s monitor mix. A complete, all-in-one recording solution, the Studio 26 comes with PreSonus’ award-winning Studio One® Artist DAW software for Mac® and Windows®.

Main Features:
• USB 2.0 bus-powered, 2x4 audio interface
• 24-bit resolution; 44.1, 48, 88.2, 96, 176.4 and 192 kHz sampling rates
• 2 mic/instrument/line inputs with XMAX-L solid-state mic preamps
• +48V phantom power (global)
• 2 balanced ¼” TRS line outputs for monitor mixing or speaker switching
• 2 balanced ¼” TRS main outputs with front-panel level control
• 4 ladder-style LED level meters (2 input, 2 main output)
• Stereo headphone output with Cue Mix A/B
• Direct monitoring
• MIDI I/O
• Studio One® Artist included

Studio Magic Plug-in Suite

The Studio Magic Plug-in Suite, included with all current PreSonus mixers and interfaces, brings extended sonic functionality into your DAW. Cherry-picked from the finest names in virtual instruments and effects, each one brings a different flavor of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies—these are real-deal workhorses that you'll find yourself relying on for countless mixes. To get the Studio Magic Plug-in Suite, all you have to do is register your qualifying mixer or interface at my.presonus.com where you'll be provided with download links for the plug-ins.

Package Includes:
SPL Attacker is a micro-plug-in that employs the same Differential Envelope processing technique as SPL’s famed Transient Designer. Using SPL Attacker, all attack events can be amplified, regardless of their signal level. Try it on drums!
Mäag Audio EQ2 delivers the sound of the Mäag Audio EQ2 two-band hardware equalizer, known for its particular attention to ultra-high “air” frequencies.
Lexicon’s MPX-i Reverb delivers seven classic Lexicon plate, hall, chamber, and room reverbs in a streamlined interface.
The Eventide H910: a faithful re-creation of the classic H910 Harmonizer, offering unique combinations of pitch shifting, modulation, and delay. Also from Eventide is the 2016 Stereo Room, which delivers a natural, yet distinctive-sounding reverb that can be lush or subtle.
The Brainworx bx_opto compressor combines the best aspects and anomalies from several legendary, light-dependent compressor circuits.
• Completing the Studio Magic bundle is Arturia’s Analog Lab Lite, a “Greatest Hits” collection of physically modeled—not sampled—classic analog synths, organs, string machines, and more.



The Electro-Voice RE20 is a professional-quality dynamic cardioid microphone created specially for recording, broadcast and sound-reinforcement applications requiring essentially flat response over a very wide frequency range. The wide frequency response, coupled with excellent transient response, make the RE20 easily comparable to the finest condenser cardioid microphones and an easily operated “bass tilt down” switch corrects spectrum balance for use in longreach situations or other applications where bass attenuation is needed.

Cardioid Pattern
A true cardioid microphone, the RE20 offers greatest rejection at 180º off axis - directly to the rear of the microphone. Pattern control is so consistent that the frequency response is nearly independent of angular location of the sound source, creating virtually no off-axis coloration, yet providing greatest possible rejection of unwanted sounds.

Integrated Pop Filter
An integral blast and wind filter covers each acoustic opening on the RE20. In recording sessions or on stage, singers can “close talk” the microphone, singing with their lips almost touching the grille screen with no worry of “P-pops” or excessive sibilance. Part of the filter also shock mounts the internal microphone element, reducing the transfer of vibrations from external sources. The exceptional performance of the RE20 is achieved by using a large Acoustalloy diaphragm in combination with an exceptionally low-mass aluminum voice coil. Using this diaphragm assembly, the RE20 is capable of reproducing extremely high sound pressure levels with no fear of the overload and distortion often experienced with phantom powered condensers. The RE20 will also continue to function flawlessly in high humidity and elevated temperatures that would seriously degrade competitive condenser microphones.


Rugged Steel Construction

A massive steel housing and effective hum-bucking coil assure the RE20’s resistance to magnetically induced hum and noise. This means the RE20 can be used successfully in situations where other microphones would experience unacceptable levels of hum and buzz. By exploiting the strength of its steel housing and employing a mechanical nesting concept, EV designers have created an exceptionally rugged microphone with superior handling noise rejection ideally suited for professional uses.

Low Proximity Effect
The bass-boosting proximity effect common to most directional microphones when used close to the sound source, is eliminated in the RE20. This is accomplished via the application of the EVexclusive Variable-D® technology. By controlling the effect of microphone proximity, the RE20 can be located very close to sound sources without a loss in clarity or definition making the RE20 ideal for tight vocals and challenging instruments. It can be used inside bass drums, on acoustic guitars, and is found in voice booths and broadcasting studios everywhere.


The Electro-Voice RE20 Features:
• Time-tested broadcast and voiceover favorite
• Also ideal for instrument recording, especially kick drums and acoustic guitars
• Studio condenser response yet no powering required and immune to overloading
• Large Acoustalloy diaphragm and low-mass aluminum voice coil
• Steel case and hum-bucking coil provide exceptional magnetic shielding
• Frequency response: 45 Hz-18 kHz
• Impedance: 150 ohms balanced
• Sensitivity, open circuit voltage: 1.5 mV/pascal = 1 kHz
• 8.53" long x 1.94" diameter (2.14" at widest point)
• Net wt: 1 lb, 10 oz (shipping wt 3 lb, 4 oz)
• Includes stand clamp

 

 





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