Orban 5500i with FREE Sennheiser HD300PRO Headphones
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Orban 5500i with FREE Sennheiser HD300PRO Headphones


Orban 5500i ON-Air Processor with FREE HD300PRO Headphones - Limited Time Package

BSW PART: 5500I-PKG3

Orban 5500i with FREE Sennheiser HD300PRO Headphon
Orban 5500i with FREE Sennheiser HD300PRO HeadphonOrban 5500i with FREE Sennheiser HD300PRO HeadphonOrban 5500i with FREE Sennheiser HD300PRO HeadphonOrban 5500i with FREE Sennheiser HD300PRO HeadphonOrban 5500i with FREE Sennheiser HD300PRO HeadphonOrban 5500i with FREE Sennheiser HD300PRO HeadphonOrban 5500i with FREE Sennheiser HD300PRO Headphon
Limited time Bundle!

Buy the versatile, Orban 5500i Processor from BSW and receive a FREE Pair of Sennheiser HD300PRO headphones. A $249.95 value!
It's that easy!

Own Orban in your station for as little as $199 a month? Click here to get started or Call BSW today and schedule a demo!



OPTIMOD-FM 5500i puts competitive five- and two-band OPTIMOD processing into a single rack unit package and brings it to you at the most affordable price ever. Quality sound is what 5500i is all about - sound that attracts audiences by providing a polished, professional presentation regardless of format and source material. Exceptional versatility allows you to adjust the processor’s audio texture to brand your audio, knowing that the resulting signature sound will remain consistent, cut-to-cut and source-to-source. Branding builds businesses and no other processors have the consistency to brand your sound like OPTIMODs.

The 5500i can also be used as a superb stand-alone stereo encoder with latency as low as 2 ms and full overshoot limiting in both the left/right and composite baseband domains. When used in this mode, the 5500i must be driven (usually via an STL) by a full-featured FM audio processor (like Orban’s 8700i) that incorporates pre-emphasis-aware HF limiting and peak control. In both modes, the 5500i’s stereo encoder helps deliver a transmitted signal that’s always immaculately clean and perfectly peak limited, with full spectral protection of subcarriers and RDS/RBDS regardless of the amount of composite limiting.

The 5500i is the ideal choice for network broadcasters who process with Orban’s flagship OPTIMOD-FM 8700i at the network origination point and who need a processor at every transmitter to eliminate STL overshoots (using the 5500i’s stand-alone stereo encoder mode) and/or to process local insertions while also eliminating network STL overshoots (using the 5500i’s audio processor / stereo encoder mode). Moreover, the 5500i’s two modes make it easy for large government and network broadcasters to manage its inventory of spares because any 5500i can be used as a stereo encoder with or without audio processing. Available in both modes, the built-in, defeatable ITU BS412 multiplex power controller allows the 5500i’s output to meet even the most stringent European government regulations.

The 5500i includes a full-featured RBS/RBDS generator at no additional charge. The generator supports dynamic PS. It can be controlled via the 5500i presets and an ASCII terminal server that can be connected to automation to support displaying title and artist. The 5500i has a 10 MHz frequency reference input allows the stereo pilot tone frequency to be locked to GPS or another high-accuracy frequency standard. This improves the performance of single-frequency networks in areas where coverage of the transmitters overlaps.

With the 5500i, your signature sound is just a preset away. An easy, one-knob Less/More adjustment allows you to customize any factory preset, trading cleanliness against processing artifacts according to the requirements of your market and competitive environment. Full Control gives you the versatility to customize your audio further. And, if you’re a hard-core processing expert, you can explore Advanced Control to tweak presets at the same level as Orban’s factory programmers.

This versatility makes the 5500i a superb choice for any format. Its five-band processing is ideal for any pop music format (even the most competitive and aggressive CHR), while phase-linear two-band processing yields ultra-transparent sound for classical, classic jazz, and fine arts formats. Regardless of your choice, 5500i’s optimized technology ensures unusually high average modulation and coverage for a given level of subjective quality.

Unlike many lesser processors, the 5500i handles speech particularly well - it’s always clean, even when you process for loudness. If you’re concerned about latency because you need to feed live talent headphones off air, be assured that the 5500i’s ultra-low-latency (5 ms delay) processing will keep the most finicky talent happy. Or use optimum latency (15 ms delay) processing for the most competitive sound with delay that’s still low enough to satisfy most any talent.

The 5500i's built-in stereo encoder, AES/EBU digital inputs and outputs, and analog I/O permit hassle free interfacing to any broadcast plant, whether the 5500i is located at the studio or the transmitter. Tight band limiting to 15 kHz means you can use any uncompressed digital STL to pass 5500i- processed audio from studio to transmitter without compromising on-air loudness - there's no need to use STL's having 44.1 or 48 kHz sample-rate.

The stereo encoder's stereo sub-channel modulator can operate in normal double sideband mode and in an experimental compatible single sideband mode (SSB/VSB) that is offered to enable users to compare and assess the two modes.

Analog Fallback to Digital control that allows Silence Sense to switch the active input from Analog to Digital if silence is detected in the analog input signal but not on the digital input signal. This function works vice versa as well on both analog and digital AES input. The silence sense parameters apply to both simultaneously and both detectors are available to drive the 5500i's tally outputs and sending SNMP Traps/Alerts.

If you want to locate the 5500i away from the studio, you'll be pleased by its three separate remote control ports - GPI contact closures, RS232 serial and built-in Ethernet for TCP/IP networks. The serial and Ethernet ports are supported by the supplied 5500i PC Remote Control application. This Windows® application allows you to do even more with the 5500i than you can do through its front panel, making remote control a pleasure. 5500i PC Remote software allows you to access all 5500i features and allows you to archive and restore presets, automation lists, and system setups (containing I/O levels, digital word lengths, GPI functional assignments, etc.) Built-in clock-based automation lets you automatically day-part the processing. You can control many other 5500i operating parameters too. The 5500i's feature set fully exploits the processor's DSP and computer-based control architecture. To ensure absolute accuracy, you can automatically synchronize the clock to an Internet timeserver. It has a cool-running, energy-efficient switching power supply and uses the latest dual-core DSP chip technology from Freescale Semiconductor.

Main Features
• Internal DSP-based stereo encoder
• Ultra low latency 5 mS preset 5
• Full-featured RDS/RBDS generator that supports dynamic PS
• Quick Setup wizard, dozens of expertly-designed presets, and outstanding documentation make the 5500i easy to set up for any format
• SNMP control and monitoring
• Compatible with Belar or DaySequerra TimeLock diversity delay correction
• Analog and digital I/O with silence sense and auto-failover
As meticulous as you Capable of locating everything. Reproducing every detail. Staying precise when it comes to both fine subtleties and maximum sound pressure levels: the newly developed acoustic system in the HD 300 PRO enables neutral, delicate sound reproduction. The high level of wearing comfort and efficient ambient noise attenuation ensure that nothing will disrupt your concentration.

The newly developed HD 300 PRO delivers a neutral, high-resolution working sound. Its huge depth of detail passes through even in the loudest of environments. Irrespective of whether you are editing, playing or composing music, and regardless of whether you’re behind a drum kit, at the mixing desk, in a live setting or in the studio, the HD 300 PRO provides the details that you need for making good decisions. HD 300 PRO. Keep control.

Measuring the truth The HD 300 PRO works at the same level of precision that you apply to your production. To make this possible, we have pushed its acoustic properties to the boundaries of physics and recalculated them. Firstly, it’s linear frequency response. It doesn’t interpret, but rather ensures neutral transparency – the basis for good decisions. Its sound pattern remains delicate and precise in every application – across the entire spectrum. Secondly, we have reduced distortion, wobbling motions and partial vibrations of the diaphragm to a minimum. Together with highly sensitive transducers, this construction guarantees powerful and distortion-free reproduction even at high sound pressure levels. Not to mention the recalculated air volumes in front of the ear. The HD 300 PRO gives the sound a remarkably natural, three-dimensional quality.
 
Only the sound carries weight. The design of the HD 300 PRO represents a smart combination of wearing comfort and ambient noise attenuation. Its circumaural, viscoelastic earpads can barely be felt even after several hours. And they provide reliable protection even against very loud ambient noise. To achieve this, we have designed the acoustic unit to be more isolated than a monitoring set has ever been. Even after sessions lasting several hours, you will detect only its sound – not its weight.

Main Features:
• Highest resolution due to accurate and linear sound reproduction
• Comfortable padding design allows for extended use in long wearing sessions
• Superior ambient noise attenuation in loud environments due to closed passive earcup construction
• Perfect companion for your daily work due to long lasting materials and exchangeable cables with Sennheiser's established system connector

List Price: $4,339.99
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