Air Tools Voice Processor 2X
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Air Tools Voice Processor 2X

Dual-Channel Voice Processor


The microphone is a crucial link to the audience. Proper management of that link is essential. Enter the Voice Processor 2x, an outstanding programmable microphone processor that is flexible, powerful, and easy to use. Chief Engineers treasure its programmability and rich DSP feature set. On-air talent enjoy its simplicity of operation. Studio managers appreciate how it independently processes two microphone channels in one rack space. And, most importantly, everyone loves the sound – including the listening audience. The 2x offers a comprehensive set of voice enhancement tools for any situation. The 2x’s Windows® software application enables total control of all essential parameters. Once a desired sound is dialed in, all settings are saved as named presets for later recall from the front panel or remotely. Any mic can be optimized for a diverse air staff with either male or female voices.

Our Voice Processor legacy began with the original model 528, and has continued through the 601, 528E, 628 and 6200. Now you can maintain quality assurance throughout your voice talent signal chains with the Voice Processor 2x, Engineered by Symetrix. Our name has become synonymous with high quality audio processing for over 40 years.

AirTools Voice Processor 2x Features:
• Two (2) independently programmable channels of ultra-low latency digital microphone processing in one rack space.
• Two (2) Mic/Line inputs, two (2) Mic/Line outputs, two (2) AES3 outputs, Word Clock input.
• Processing modules include Compression, Equalization, De-Essing, Downward Expansion, Highpass and Lowpass filters, and Voice Symmetry.
• Configure named presets for each on-air personality – up to 50, including factory presets – using the included Windows® software over Ethernet.
• Recall presets with convenient front panel controls, optional hardware remote(s), or third-party control protocol.

• Nominal Input Level: +4 dBu or -10 dBV line level, to -50 dBu mic level (software selectable) with 20 dB of headroom
• Maximum Input Level: +23 dBu
• Input Impedance: 6.67 kΩ balanced, > 3.3 kΩ unbalanced
• CMRR: > 75 dB @ 1 kHz, unity gain
• Mic Pre-amp EIN:> -127 dB, 22 Hz - 22 kHz, 100 Ω source impedance
• Phantom Power: +48 VDC
• A/D Conversion: 24-bit delta/sigma
• A/D Dynamic Range: 116 dB (A-Weighted)
• A/D THD+Noise: -102 dB (un-weighted); 1 kHz @ -2 dBFS with 0 dB gain
• A/D Latency: 0.25 mS
Nominal Output Level:
 • Analog: +4 dBu line level with 20 dB of headroom
 • Digital: -20 dBFS. For unbalanced analog output, float (do not connect) the minus output terminal. Unbalanced usage results in 6 dB lower output level.
Maximum Output Level:
 • Analog: +24 dBu. Digital: 0 dBFS
Output Impedance:
 • Analog: 200 Ω balanced, 100 Ω unbalanced. Digital: 110 Ω
• D/A Conversion: 24-bit delta/sigma
• D/A Dynamic Range: 114 dB (A-Weighted)
• D/A THD+N: -98 dB (un-weighted); 1 kHz @ -2 dBFS
• D/A Latency: 0.2 mS
• Mic Level Output Pad (Internal): -42 dB
• Nominal Sampling Rate: 48 kHz
• Word Clock Input Range: 22 - 192 KHz
• A/D/A Frequency Response: 20 Hz - 20 kHz, +/- 0.25 dB
• A/D/A Dynamic Range: 113 dB (A-Weighted)
• A/D/A Latency: < 0.7 mS; with all DSP active
• Interchannel Crosstalk: > -90 dB @ 1 kHz, typical

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